This post below from David Seagrave is in response to an article recently posted on the ELAS Google Group. See here:
http://www.thedailybeast.com/articles/2009/05/11/a-radical-new-autism-theory.html
http://www.thedailybeast.com/articles/2009/05/11/a-radical-new-autism-theory.html
From David Seagrave
As a small boy I was convinced that I was a LUNATIC and that was
greatly reinforced by the events in 1953 which I have described in
detail,which are outside the scope of this Account I can recall how my
photographic memory picked up trivial details even when I was aged 5 and
living in Bideford (for instance coming across a seemingly empty shell
on Westward Ho beach and finding a hermit crab inside it which squirmed
and I was frightened of it) Then such matters as the route numbers of
buses Perhaps someone can check to find that Route 101 ran from Bideford
to Barnstaple in 1945 ! It was as if my developing brain was a blank
videotape which recorded things entirely at random if it had a shutter
mechanism that took snaps as I travelled around and a few of these
"mental snapshots" persist in my mind even now
With ageing these mental photographs fade and nowadays I have
acquired a filtering mechanism for example I skim headlines but a few
things stick easily such as reports of sex-abuse by Catholic priests I
once had a photographic memory for junk facts about railways After
diagnosis with AS I became aware how I BORE PEOPLE so I consciously
willed myself to forget junk facts about anything When afterwards I met
rail enthusiasts who rabbitted on about railway matters imperceptible to
nearly everybody else I saw myself as a CRASHING BORE I found that
this tendency crept into my knowledge of photography when junk facts
about the subject crept into my short stories
We are perhaps unable to judge the relevance of all this detailed
input to everyday life It DOES come in useful for example in remembering
the precise location of road hazards so I recall how when returning to
Stafford after dark I would crawl past a crossroads with sign for
DERRINGTON to look for a raised grating that nearly threw myself off my
scooter and then weave past it at about twice walking pace THIS
is Asperger strength !
I cannot explain why EYES SCARE ME so intensely that I cannot bear to look at people even now and eye contact induces mental tremors utterly beyond the limits of language So I have never learned enough about body language or facial expression to be an accurate judge of it Yet in today s portrait of Andrew Marr in the Herald I see a man whom I would describe as a Radiant Vessel of God - it conveys the image of God Revealed In All His Beauty gushing forth from a courageous man who has conquered a stroke Andrew Marr has a timelessness in his face I can spot facial expressions of what I call degenerate people but I cannot define what it is about their faces which silently shouts that they are alcoholics or drug users
I cannot explain why EYES SCARE ME so intensely that I cannot bear to look at people even now and eye contact induces mental tremors utterly beyond the limits of language So I have never learned enough about body language or facial expression to be an accurate judge of it Yet in today s portrait of Andrew Marr in the Herald I see a man whom I would describe as a Radiant Vessel of God - it conveys the image of God Revealed In All His Beauty gushing forth from a courageous man who has conquered a stroke Andrew Marr has a timelessness in his face I can spot facial expressions of what I call degenerate people but I cannot define what it is about their faces which silently shouts that they are alcoholics or drug users
Whenever I feel GUILTY I cannot bear to look at myself in a mirror
Yet when the light is in the right face I see myself as a timeless
Radiance and never more so than in my Mynydd Mawr portrait taken in 1982
when I was 40 years old with ample shock of hair
There are many sensory inputs which disturb me in the same way I
find that the type face now in use on Ryvita cartons is too frightening
to look at I have ALWAYS felt that certain lettering is frightening
,for I could read at the age of three by means of the contemporary
advertisements for Oxo,Bovril & all in distinct type faces I
perceived car and bus radiators as MOUTHS OF MALEVOLENT CREATURES
In "The High Road To Bickulphstow " I explore the language leakage
with germs and Germans and how as a very small boy Alan confuses flies
with aircraft This is a reconstruction of my own earliest perceptions of
aircraft as malevolent beings .
I have written how I was scared at the sight of a burnt out Womens
Institute on the way to primary school ,and an overturned car and
particularly disturbed by photographs of railway accidents and air
disasters in the contemporary newspapers where facts such as the
location and type of aircraft stuck readily in my mind
My conviction of being a LUNATIC ,as a boy was in fact a precocious
foreknowledge of my present panache as a writer where my characteristic
style is to put myself into the shoes of my leading characters
-including SCHOOLGIRLS and ELDERLY LADIES ! as i write through their
voices as their streams of consciousness in "the First Person Present
Immediate " to convey often very tragic themes and above all the stories
about Parfitt and Smethurst that lead to their deaths and of course
John Barming s streams of consciousness in both the Narrative (Welcome
To Alloa ) and the Radio Dialogue
(The Arnsbrae Litter Bin ) whilst I use the same technique in my
most wicked story of all-perhaps unpublishable -I wo nt reveal the plot
-who se title refers to me-
WITH A LOUD CREAKING OF HIS ARTIFICIAL LEG !
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